Audio Units Sammlung - Freeware

[focusonsound]

Hier noch von KingTao 'n brauchbarer Compressor und'n Delay, Windows & Mac:

http://kingtao.factoryset.org/

Welches Schätzchen dieser Kompressor wohl emulieren will... ;-)

[makkus]

... und hier kommt "Orchestral Stings One"




Innovative Sampling technologies put 14 violins, 10 Violas, 8 Cellos and 6 Double Basses into One instrument.
Neo Hybrid Modeling Engine make the full strings section into 200MB.
Innovative Key Switch and Controller system makes it ideal for use in live performance.
Can real-time switch between Spic, Staccato, Pizzicato, Legato, Cresando, Decresando, PFP, Vibrato, Tremolo, Trills and Sordino by Key Switches and MIDI Controllers.
Fully controllable legato system.
Auto Rhythm Tool helps you better and quicker play repeated notes on fly.
Multi Microphone Positions, Player, Audience and Ambience/Room.
Small RAM usage and Light on CPU.
Built-in High-Quality Reverb.
Built in 64-Steps Sequencer enable users to compose their string phrases in a quickest and efficient way.
Support Add-ons System.

Momentan nur auf der Seite von KVR herunterladbar:
http://www.kvraudio.com/product/orchest ... ound-magic

[MFPhouse]

http://www.kvraudio.com/product/orchest ... ound-magic

...ich find weit und breit keine Audio-Demos von dem Teil. Bin zu blöd.
Hast du irgendwo einen Link ?

[makkus]

http://www.kvraudio.com/product/orchest ... ound-magic

...ich find weit und breit keine Audio-Demos von dem Teil. Bin zu blöd.
Hast du irgendwo einen Link ?

Nee, ich hab auch keine gefunden. Wenn ich heute oder morgen Zeit finde erstelle ich mal ein paar ....

[makkus]

Nachtrag zu "Orchestral String One":

... habs nicht geschafft ein Demo zu machen, aber es gibt jetzt eine offizielle Seite (http://www.supremepiano.com/product/string1.html) des Entwicklers von diesem Instrument.
Früher oder später kommen da vielleicht auch ein paar Demos, denn auf der Seite steht:
"DEMOS: Not ready yet"

[makkus]

... und hier ein "Granular Synthesizer" Hadron



The Hadron plugin is your ultimate granular synthesis tool. In fact it is such a complete implementation of granular synthesis we’ve renamed the technique to particle synthesis. The plugin is of course free and open source.

For your convenience, we’ve made a preset system allowing you to quickly get started making music with it. All presets have selected “expression controls” to allow creativity and flexibility, and you can morph between presets for ultimate creativity. The plugin comes with a basic set of presets, and you can buy additional preset packs to expand your sonic palette. This kind of presets is called “states” in Hadron.

Hadron can be used as a synthesizer or an audio effect. It can also seamlessly morph between different sound processing methods, so you can make the plugin gradually change from synthesizer to audio processing mode. This is all part of the state morphing system, accessible via the big 2D joystick control.

You can also use live sampling as a sound source for manipulation with Hadron, as well as audio files and live audio input.

Sound-demos:
http://www.partikkelaudio.com/downloads/resources

[Midolf]

Es gibt in wieder: In 64 Bit und auch als AU: Podolski


http://www.u-he.com/cms/podolski

Gruß

Midolf

[d/flt prod.]

feedback compressor 2
http://www.tokyodawn.net/tdr-feedback-compressor-2/



molot (gibts auch auf englisch) und limiter6

http://vladgsound.wordpress.com

[Axel]

woah.. dieser feedback compressor 2 ist aber wirklich n knaller. hab ihn grad auf der summe probiert, diese crest/ rms funktion ist geil. richtig gut!

[d/flt prod.]

luftikus is a digital adaption to an analog EQ with fext half-octave bands and additional high frequency boost. As an improvement to the hardware it allows deeper cuts and supports a keep-gain mode where overall gain changes are avoided.



Features
Bands and Shelves
Luftikus has half-octave bands at 10, 40, 160 and 640 Hz, completed by a high shelf at 2.5 kHz. For adding sparkle to recordings a further high frequency boost at 2.5, 5, 10, 20 and 40 kHz can be used. The overall design was improved to allow deeper cuts. The range -5 to +10 is the original range while below -5 results in cuts unavailable in hardware.

Modes
The hardware adds overall gain which can lead to clipping. To counter this an output trim as well as the "Keep Gain" mode is available. While the trim allows manual adjustments the "Keep Gain" mode will keep (more or less) the overall loudness by reducing gain in non-boosted areas.

The "Analog" mode models a more analog behavior while in "Mastering" the controls become stepped and the "Analog" mode performs better.

http://code.google.com/p/lkjb-plugins/

win vst (32/64bit) // mac vst/au (32/64bit)

[Etienne73]

Der aktuelle Link: http://kunz.corrupt.ch/Products/TAL-Chorus-LX

Die Vorgänger-Version TAL-Chorus-60 wurde hier im Freeware-AU-Thread schon erwähnt. Aber bevor dieser Tipp untergeht.

All denen, die ein analog klingenden BBD-Chorus-Effekt suchen, kann ich dieses Plugin empfehlen.

[makkus]

... weil es davon auf der Welt nicht schon genug gibt, kommt hier noch einer:



TubeDriver - tube amplifier emulation plug-in for Windows (VST 32 and 64bit) and Mac OS X (VST and AU 32 and 64bit).

Controls:
Pre EQ - High Pass, Peak, Shelf and resonant Low Pass filters.
BIAS - Adjusts tube stage’s grid bias which control the symmetry of the tube amp saturation.
DRIVE -Amount of gain applied by the tube amp.
VOLUME - Output level..
BOOST - +12 db additional gain applied by the tube amp.
BYPASS - Switch TubeDriver in bypass mode.
MONO - Switch TubeDriver in mono mode - process Left Input, output Left and Right.
PHASE - Invert phase of output signal.
HP Freq – Post High Pass Filter frequency.
LP Freq– Post Low Pass Filter frequency.
Oversample - Oversampling Rate in realtime.
16x On Render – Oversampling Rate in Render (Mixdown) mode of host:
OFF - Oversampling Rate in Render (Mixdown) mode of host same as in realtime;
ON - Oversampling Rate have a maximum (16x) value in Render (Mixdown) mode of host.

LINK

...habs noch nicht getestet...

[makkus]

... wenn der Name mal nicht Programm ist ... hab das Spielzeug leider noch nicht testen können, da ich nicht auf OS X 10.7 geschweige denn 10.8 arbeite. Aber vielleicht will es jemand anderes mal testen ....



Technology: Gimmick’s oscillator draws waveform by setting how many times to twist it in a cycle and then divides it by scanning up and down direction, finally player can also determine ratios of each turning points.
Gimmick synth is under ongoing development, and this Mini version has been built with basic concept of Gimmick. It is absolutely free, so try it today and experiment the new way of synthesis!
Known Issue: It doesn’t play sound under certain settings of parameters, though the sliders are left as they are in order not to loose the possibility. (Parameters from Twist to DownPoints should be set between 1 to 3 not to be messed up, but you can set them till 100.)

With GarageBand, once if it stops playing sound, you may need to press play and stop of GB. It retrieves audio node.

Download+ Infos hier: GIMMICK

[makkus]

hier mal ein Duck-EQ:



What is it good for?
Ducking has many applications in mixing and broadcast, especially for managing tracks with overlapping frequency content, like Bass and Kick Drum, Vocals and Electric Guitars etc.
DuckEQ’s integration of EQ means it can duck only specific frequency bands, as well as normal ‘broadband’ ducking. Apart from ducking, there are many other applications that DuckEQ can be used, for example instead of ducking a signal, one could apply gain to the EQ bands and “EQ-Gate” .

What’s the difference to using a compressor?
In many cases a Compressor with a SC input can do the job, however specialised duckers have more control over the gain reduction. For example, when ducking a guitar from vocal, a compressor will reduce the guitars more on loud words and less on quiet ones, which is the opposite of what is desired. A ducker reduces the gain the same amount every time.

[d/flt prod.]

klanghelm ivgi



saturation-plugin.

http://www.klanghelm.com/IVGI.html

IVGI can deliver very soft and subtle saturation, that feels at home
on the master buss. It is equally capable of very dense and dirty
distortion effects to spice up single tracks.

IVGI's base sound is comparable to the DESK mode in the upcoming
big brother SDRR.

Just as SDRR, IVGI reacts dynamically to the input signal. Even the
modelled fluctuations react dynamically and also change depending
on the drive setting, so that it doesn't get in the way of the
SOUND. Stereo tracks benefit from it's modelled crosstalk behaviour.
Just as its big brother SDRR, IVGI features a “Controlled
Randomness”, which determines the internal drift and variance inside
the unit. It contributes to the livelyness and realness of IVGI's
saturation character. All internal processes are modulated to some
extent to make this possible.

IVGI gives you a sensible amount of controls to manipulate the
character of the saturation itself. It offers a unique ASYM MIX knob
to alter the symmetry of the signal without affecting the harmonic
content much. Usually, asymmetry leads to an increase of even
order harmonics. But in IVGI's case, dialing in the asymmetry makes
the negative part of the signal “cleaner”. This way you can preserve
the dynamic structrure of the source better and get a more
transparent result. Actually, you can think of ASYM MIX as a
transparency control.

IVGI also lets you alter the frequency dependency of the saturation
with the RESPONSE control.

IVGI is internally calibrated to 0VU = -18dBFS.